Red and white wildflowers rising from long grass
Moonlit lake with a ruined castle among dark trees
Woman in a white headscarf looking back over her shoulder
Townspeople talking on the steps of a brick house
Woman in white silk reclining on red cushions
Snowy farmyard with bare trees and a frozen pond
Exhibition, Rooms V to VII

The quiet Table

12 September 2026 to 17 January 2027

About the exhibition

Where nothing much happens

  • Works Forty paintings
  • Rooms V, VI and VII
  • Time Allow an hour

A bowl of fruit, a window, a chair pulled out from a table. For a long time these were the paintings people walked past on the way to battles and saints.

The Quiet Table brings forty of them together across three rooms. Some come from our own store, where they have waited years for a wall; others are on loan for the season. None of them shows an event. Each shows a room in the minutes before or after something happened: the breakfast plates not yet cleared, the letter read twice by the window, apples tipped out on the grass.

The rooms are hung at table height and lit from one side, the way most of these pictures were painted. Benches face the largest works. Take your time with them; they were made by people who did.

Exhibition notes by the curatorial team. Sample text.

Room by room

Three rooms, one long morning

Follow the rooms in order and the light moves from early to late, from the market ledge to the open garden door.

Grapes, peaches and a cut melon heaped on a marble ledge

No. 101

Fruit on a marble ledge

Oil on canvas

V

Fruit on the ledge

The first room is all surfaces: marble ledges, cloths and baskets, fruit heaped higher than any table could hold. Look for the cut melon and the single fly that painters liked to hide in plain sight.

Room V, first floor

Young woman in a white cap and apron reading by a tall window

No. 112

Woman reading by a window

Oil on canvas

VI

Window seats

Light arrives from the left in almost every picture here. The people in these rooms read, sew and wait, and the window does most of the talking.

Room VI, first floor

Sunlit breakfast room, a woman reading the paper at a laid table

No. 093

Breakfast in a garden room

Oil on canvas

VII

Breakfast and after

The last room sits at the table itself: newspapers, cups and chairs pushed back. It ends with a sunlit garden room and a door left open to the morning.

Room VII, first floor

In the exhibition

Eight of the forty

Collection highlights
Audio guide

Listen while you look

Twelve short stops, about forty minutes in all, read by the people who hung the rooms. Free on your own phone, or borrow a handset at the desk.

  1. 01
    Before you go in The light, the benches and why the walls are this colour
    2 min
  2. 04
    The fly on the melon A tiny joke hidden in the biggest still life
    3 min
  3. 07
    Letters by the window Reading over a shoulder, three times in one room
    4 min
  4. 09
    A chair pushed back How a painter shows that someone has just left
    3 min
  5. 11
    The open door The garden room and the end of the morning
    4 min
  6. 12
    Sit for a minute A short silence, then the way out
    1 min
Visit this exhibition

Before you book

  • Dates 12 September 2026 to 17 January 2027
  • Rooms V, VI and VII, first floor, lift from the entrance hall
  • Tickets Included with admission. Timed slots every 30 minutes on Saturdays and Sundays
  • Late Open until 21:00 every Thursday of the run
  • Access Benches in every room, large-print labels at the door, quiet hour on Tuesdays 10:00 to 11:00
Open Tuesday to Sunday

Come in, and take your time

Doors open at ten. Thursdays stay open until nine, with the lights a little lower and the rooms a little quieter.

Under 18s and members walk in free